Frankfurt Consensus
For too long the specter of Darwinism has haunted the narrative of Chinese literary history.It is told as a story of "evolution," a triumphant confluence of folk and vernacular literature, along a chain of genre development from dynasty to dynasty.The 1917 New Culture Movement is seen as the teleological end of this evolution.Accordingly, vernacular literature has been taken to represent literary modernity,hence enjoying a monopoly in academic research.Classical-style poetry that continued to be written in the twentieth-century has been almost entirely neglected.
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2016-05-24(万方平台首次上网日期,不代表论文的发表时间)
共3页
507-509